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Hearts of Space #600 WHEN SPACE MEETS ROCK 27-Jul-2001 MP3 320kbps

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 							AWESOME
  Hearts of Space #600 WHEN
SPACE MEETS ROCK 27-Jul-2001 MP3 320kbps
  
  
  
  
  
  
  
  
  
  
  PGM 600 : "WHEN SPACE MET ROCK" 
 

  PGM NOTE : space and electronics hit the mainstream: 1968-1978; space rock 
  
 
GENRE(s) : Miscellaneous/Eclectic, Non-Seasonal 
   
  FIRST BROADCAST : 27-Jul-2001 
  
  INTRO : This week we celebrate another milestone in the HEARTS of SPACE series with Program Number 600. Since
we began national syndication in 1983 we've used these centenary programs for special features and documentaries about
contemplative, space and ambient music. This time, we look back at the meeting of the spatial sensibility and
electronics with mainstream pop music in the late 1960s and early 70s. We call it : WHEN SPACE MET ROCK. 
  
 

   I'd like to take this opportunity to relate a personal experience that bears perfectly on the subject. The year
was 1968. I was a graduate architecture student in PHILADELPHIA, and, if the truth be told, was spending most of that
memorable summer listening to music while pretending to work on my thesis. 
  
  
   The local beer
company was sponsoring an ambitious summer-long festival held in the biggest stadium in town. One of the first concerts
was called THE BRITISH INVASION. 
  
  
   It all began on a perfect, sunny afternoon. In the center of
the football field was a huge stage: covering it was a Bucky Fuller fantasy structure built out of metal struts like a
geodesic dome; it was at least 40 feet high and was festooned with hundreds of lights. It was covered with a large piece
of heavy canvas tied down with ropes to keep the sun off the stage during the day. 
  
  
   The featured
act was to be the first ever American concert by a rising new group called THE WHO. Leading off was a forgotten band
I've long since forgotten myself. The middle act was a group of art & architecture students from Cambridge with some
strange looking instruments and an even stranger name: PINK FLOYD. 
  
  
   After an uneventful start,
Pink Floyd took the stage under deep blue skies. Without a word of introduction they began to play long, slow tones
coaxed from an electronic organ, electric guitar feedback, and abstract percussion sounds. It was more like experimental
electronic music and was totally unexpected. The audience grew restless, but soon something far more unexpected
happened: a cold wind came up from nowhere, the sky turned tornado black, and without any warning a freak thunderstorm
of Biblical violence erupted over the stadium. 
  
  
   Rain came down in the proverbial sheets. There
was no cover anywhere unless you left the arena. Many did, but a equal number of [stoned] diehards remained/ because by
some miracle the electricity to the stage stayed on and PINK FLOYD continued to play! 
  
  
   The storm
blew and raged with massive thunderclaps and blinding flashes of lightening; somehow this strange spacey music fit in
perfectly. The canvas over the stage flapped furiously but stayed in place well enough to keep the musicians relatively
dry. It was hypnotic, intense, and totally absorbing. The local gods were obviously furious, but the band played on
stoically without ever saying a word. 
  
  
   After what couldn't have been more than 10 minutes but
seemed like an hour, the storm abated as quickly as it came; the sun returned with dazzling intensity, the sky turned
blue again, and PINK FLOYD finished their set to a round cheers and applause from a soaked, dazed, and completely
astonished audience. 
  
  
   THE WHO never did get to play that day. The storm returned and the concert
was finally cancelled. But for me and for thousands of amazed new fans, PINK FLOYD made an impression that would never
be forgotten — and perhaps, never equalled. 
  
  
   PINK FLOYD went on, it can be said with 30
years perspective — to alter the history of late 20th century popular music, integrating psychedelic,
experimental, electronic, and multimedia elements into classically composed albums that have sold over 100 million
copies, and become some of the key monuments of contemporary rock. 
  
  
   On this 600th transmission
of HEARTS OF SPACE, the music of PINK FLOYD, KING CRIMSON, GENESIS, YES, STEVE HACKETT, DAVID BOWIE and others who made
history...WHEN SPACE MET ROCK. 
  
  PRODUCED BY : Steve Davis and Stephen Hill, with help from Joseph
Jacobs 
  
  BAY AREA WEATHER : summer fog -:- pattern beta 
  
   
   						

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